Archive for the ‘Hip-Hop’ Category

Dr. Combs

Monday, May 12th, 2014

by Writing Battle Rap History

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Sean "P. Diddy" Combs

Sean “P. Diddy” Combs

Dr. Sean Combs, also known as “P.Diddy,” “Puff Daddy”, and “Big Homie,” among other names, had the honor of gracing the 2014 graduates of Howard University with the 146th Commencement Speech.  He was honored by the university for the degree of Doctor of Humanities.  There was quite a bit of controversy surrounding him being selected since he is a college dropout, and let’s be honest, because of who he is.

Combs is in no way refined in the pursuit of his ambitions, nor does he exercise subtlety in flaunting his riches.  Every thing he does is big.  I’m sorry – everything he does is grandiose; larger than life.  Combs has no chill button and that kind of personality makes some people uncomfortable, especially someone who isn’t the most polished piece of silverware in the bunch.

Howard University has had a rough year financially.  Former president, Sidney A. Ribeau suddenly stepped down last December after the university’s enrollment and credit score fell significantly under his leadership.  The Howard board of trustees appointed interim president, Wayne A.I. Frederick in Ribeau’s place.  The university announcing Combs as the commencement speaker in April was one of Frederick’s  decisions that pumped new life into the school.

Combs as the key note speaker is a sign of the times and a paradigm shift for colleges on who they deem worthy for the position.  Combs amassed his $700 million dollar fortune in an unconventional way, mostly through Hip-Hop.  And though many of us love Hip-Hop, we love it when its in its place – rooted in it’s foundational elements, not when a genre that is still considered parvenu is being honored for its scholastic achievements.

Notwithstanding the backlash, Combs gave a memorable speech.  He seemed a little out of his element and at times overly expressive in his gratitude, but that’s probably because he sincerely wanted to be accepted from the students and faculty as an honorable collegiate.

What I appreciated most about the speech was that it wasn’t coated with fancy language or presented like an essay, it was just straight talk in a way that only Diddy could deliver it.  Wrapping up his speech, Combs profoundly details his early days at Uptown Records, when then founder, Andre Harrell fired a young Combs because he got too cocky.  He was left without a job, an 8 1/2 month pregnant girlfriend, and a new home he purchased in Scarsdale, New York that he couldn’t afford.  Click here to read the full article.

 

Billionaire Beats

Friday, May 9th, 2014

by Writing Battle Rap History

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Dr. Dre & Jimmy Iovine

Dr. Dre & Jimmy Iovine

Dr. Dre may become Hip Hop’s first billionaire.  According to Gizmodo, as soon as next week Apple, Inc. may announce to the public it’s largest acquisition in the company’s history, a $3.2 billion dollar purchase of Dr. Dre and Jimmy Iovine’s, Beats Electronics headphones.  Forbes Magazine recently listed the top five Hip Hop moguls who had the highest net worths, and Dr. Dre came in at number two just under Sean Combs, at an estimated $550 million dollar net worth.  This deal would only add to his fortune as he is slated to make 1 billion dollars out of the deal.  Click here to read the rest of this article.

At the Top of Mt. Olympus

Friday, May 9th, 2014

by Writing Battle Rap History

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Big Krit

Big Krit

Mt. Olympus” is the funky ride to the galaxy of Cadillactica, Big K.R.I.T.’s forthcoming studio album.  K.R.I.T. is Ole Miss’ pride and joy,  magnolia tree-gravitas and all, he graciously stakes his claim as being a cut above the rest in “Mt. Olympus.”  It’s becoming more common for rappers to either refer to themselves as God, or in K.R.I.T.’s case, refer to his stature in Hip-Hop as being god-like.  Southerners rarely make those kinds of bold assertions when it comes to anything closely related to higher powers.  Growing up in the south old folks are quick to tell you that God will not be mocked, but K.R.I.T. is more concerned with being respected for having lyrical muscle, rather than being seen as the run of the mill, molly-popping, turn-up rapper.   Click here to read the full article.

Hip-Hop’s Purchasing Power

Tuesday, May 6th, 2014

by Writing Battle History

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Donald Sterling - Los Angeles Clippers franchise owner

Donald Sterling – Los Angeles Clippers franchise owner

The Donald Sterling ordeal was something else!  After being surreptitiously recorded ranting his feelings about black people to his mistress, V. Stiviano, Sterling’s appallingly primitive views on race set in motion a tidal wave of disgust throughout the national media.   The width of his racism was captured in his infamous quotes.  Speaking of his black players, “I support them and give them food, and clothes, and cars, and houses.”  He continues, “I’m just saying, in your lousy fxxxing Instagrams, you don’t have to have yourself walking with black people,” and “Don’t put him [Magic Johnson] on an Instagram for the world to see so they have to call me. And don’t bring him to my games.”

Though Stiviano is racially mixed, post-racial America’s charge on a boldly different perspective on race and race relations hasn’t capitulated Sterling’s D.W. Griffith-aesthetic.  Because of this, NBA Commissioner, Adam Silver fined Sterling $2.5 million dollars in addition to banning him from the NBA “for life.” Among more interesting things is that the NBA is taking action to force Sterling to sell his $575 million dollar franchise, that could sell for upwards of $1 billion dollars.  There are plenty of sharks roaming the shores of the LA Clippers’ franchise; filthy rich sharks, and some famed rappers are a part of this pod.

If the NBA’s board of governors can force Sterling to sell, a roll call of potential buyers are ready.  With a combined net worth of over $60 billion dollars, the most likely to win a bidding war are business tycoons Oprah Winfrey, David Geffen and Larry Ellison.  Guggenheim Partners, Magic Johnson, and Mark Walter are another group of bidders that have a good shot at the LA Clippers.  The sharks that are least likely to win in a bidding war are rappers. Sean Combs, Dr. Dre, and Rick Ross have all publicly expressed interest but compared to the above mentioned, probably lack the capital needed to purchase a majority stake.

They can afford to be minority owners, however.  Nelly is a minority owner of the Charlotte Bobcats and Jay-Z recently sold his minority stake in the Brooklyn Nets.  And Drake has partnered with his hometown team, the Toronto Raptors, helping them with a variety of initiatives, including launching a clothing line in conjunction with the franchise.  Click here to read the full article.

 

When OutKast Became en vogue

Tuesday, April 22nd, 2014

by Writing Battle Rap History

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Southernplayalisticcadillacmuzik cover art

Southernplayalisticcadillacmuzik cover art

There was a time when it wasn’t cool to be from the south.  At one point, southern rap wasn’t considered a genre in Hip Hop.  That fact was made apparent at the 1995 Source Awards in New York City when Atlanta duo, OutKast, accepted their award for Best New Group.  Overshadowed by the ensuing East Coast-West Coast conflict that took center stage that night, OuKast were barely noticed, aside from the hail storm of boos they received when they accepted their award from an already divided audience between coastal lines.  New York, the epicenter and gatekeepers of Hip Hop, weren’t ready to fully embrace southern artists.  Sonically, OutKast’s debut album,Southernplayalisticadillacmuzik, was out of context with New York’s traditional Boom Bap, kick-snare-kicks-and-hi hat, drum pattern, that helped define the region’s sound in the early 90′s, so the deep fried southern delicacy that OutKast cooked up was an acquired taste for most Hip Hop elitists.

Outkast 1995

Outkast 1995

“The south got something to say.”

Atlanta is literally a city in a forest.  It’s unique among most major cities because of its unusual grandeur of thick forest that canopy the city’s landscape.  The only thing that is penetrable above the forest ceiling is the city’s skyscrapers that peak some resemblance of urban life.  Atlanta, as an unlikely place for Hip Hop became a hub for the genre, thanks to music moguls like Jermaine Dupree, Babyface and LA Reid, who established their musical roots in Atlanta’s growing market.  Pioneers, Big Boi and Dre’ (now Andre’ 3000), who formed OutKast in 1992, would help to change the city’s music landscape forever when LaFace Records released Southernplayalisticadillacmuzikon April 26, 1994.  Click here to read the full review.

 

Bxtches Be Like – A Social Commentary

Thursday, April 17th, 2014

by Writing Battle Rap History

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Screen shot from "Bxtches Be Like" Music Video

Screen shot from “Bxtches Be Like” Music Video

A few days ago Rap Radar posted a music video by recording artist Rico Love from his Discrete Luxury EP, entitled Bitches Be Like (which I’ll stylize as Bxtches Be Like).  Amused by the title, my first impulse was to click the link to humor myself of what I thought I was about to hear.  Instead, I heard something very different.  A type of twisted social commentary is what I call it.

Bxtches Be Like, for those who are not well versed in social media, is an Internet colloquialism for describing what women stereotypically do: with the word “bxtches” replacing “women” as a name that is attached to the stereotypical behavior.

On the outset the song appears to be a loving but firm discourse. Love topics particular women who chase after material possessions and meaningless relationships because they don’t know their own worth.  “You were always the life of the party/But when you gonna give your life to somebody/It’s like you find more pain than pleasure/You know you can’t play that game forever/How long you gon’ carry on, carry on like this/Different city every night still looking for a nxgga who gon’ wife it.”  Click here to read the full review.

ILLmaticXX Anniversary: 20 Years In Review

Saturday, April 5th, 2014

by Eddie Bailey

Eddie Bailey Blog

 

 

 

 

 

Illmatic XX Cover art

 

The Genesis

Queensbridge Houses are the largest housing projects on the North American continent.  It sits along the East River just north of the Queensborough (59th Street) Bridge that connects Manhattan to Queens.  Looking down from the bridge on the 96-unit, six-story project rooftops looks like a labyrinth of Y- shaped buildings that span across a small landscape.  The projects, clothed with weathered brick, gleam in the sky’s foreground like peculiar urban pillars that are definitive reminders of inner city blight.

Queensbridge Houses

Queensbridge Houses

These same projects that raised numerous stars like MC Shan, Roxanne Shante’, Marly Marl, Craig G, Metta World Peace and Mobb Deep, also raised one of Hip Hop’s most celebrated MCs.  Nas.  When MC Shan wrote his battle lyrics during The Bridge Warsagainst KRS-One, he was unwittingly prophetic when he said this about Queensbridge MCs.

This is the place where stars are born

And we are only the ones that can’t be worn out

– MC Shan, The Bridge, 1985

On April 19, 1994, Hip Hop was delivered a gift.  Unwrapped of its magnetic coated, plastic film, was a cassette tape that changed the course of East Coast Hip Hop.  Illmatic, Nas’ debut album, released by Columbia Records, sold an underwhelming 59,000 copies in its first week.  With barely a peep of recognition outside of the East Coast upon its release,Illmatic managed to become one of the most important albums in Hip Hop history. Click here to read the full review.